@article {2315, title = {Avatar Body Collision}, year = {2021}, url = {http://www.avatarbodycollision.org/}, author = {Avatar Body Collision} } @article {2316, title = {Avatar Body Collision}, year = {2021}, url = {http://www.avatarbodycollision.org/}, author = {Avatar Body Collision} } @book {2622, title = {antiDATA {\textendash} La d{\'e}sob{\'e}issance num{\'e}rique {\textendash} Art et hacktivisme technocritique}, year = {2020}, publisher = {Les Presses du r{\'e}el}, organization = {Les Presses du r{\'e}el}, address = {Paris}, author = {Fourmentraux, Jean-Paul} } @inbook {2530, title = {Authorial Impression and Remediation in Anne Carson{\textquoteright}s Quasi-Artist{\textquoteright}s Book Nox}, booktitle = {The Printed Book in Contemporary American Culture}, year = {2019}, pages = {227-51}, publisher = {Palgrave Macmillan}, organization = {Palgrave Macmillan}, chapter = {Authorial Impression and Remediation in Anne Carson{\textquoteright}s Quasi-Artist{\textquoteright}s Book Nox}, isbn = {978-3-030-22544-5}, doi = {https://doi.org/10.1007/978-3-030-22545-2}, author = {Kiene Brillenburg}, editor = {Heike Schaefer and Alexander Starre} } @book {2497, title = {Art Queer. Pour une th{\'e}orie freak}, year = {2018}, publisher = {{\'E}ditions b42}, organization = {{\'E}ditions b42}, address = {Paris}, author = {Lorenz, Renate} } @article {773, title = {Autour de la perception}, year = {2017}, url = {https://www.onf.ca/film/autour_de_la_perception/}, author = {Pierre H{\'e}bert} } @article {2644, title = {After Fabeb00k: {\`a} la douce m{\'e}moire <3}, year = {2016}, month = {10/2016}, url = {http://www.fcfq.coop/media/profil_28_1.pdf} } @article {2228, title = {The Age of Super Powers}, year = {2016}, publisher = {Medium}, url = {https://medium.com/@avibarzeev/the-age-of-super-powers-922250ecee31}, author = {Bar-Zeev, Avi} } @inbook {1730, title = {Archivage et mise en valeur de la cr{\'e}ation Web: environnements de recherches et connaissances et m{\'e}thodologies ouvertes pour l{\textquoteright}histoire de l{\textquoteright}art}, booktitle = {Collecter, cataloguer, cartographier}, year = {2016}, publisher = {Publications Universitaires de Saint-{\'E}tienne}, organization = {Publications Universitaires de Saint-{\'E}tienne}, address = {Saint-Etienne }, author = {Lalonde, Joanne} } @book {2545, title = {Archive Everything. Mapping the Everyday}, year = {2016}, publisher = {The MIT Press}, organization = {The MIT Press}, address = {Cambridge}, author = {Giannachi, Gabriella} } @book {1727, title = {Archive Everything. Mapping the Everyday}, year = {2016}, publisher = {The MIT Press}, organization = {The MIT Press}, address = {Cambridge}, author = {Giannachi, Gabrielle} } @article {1819, title = {Archiver le pr{\'e}sent: le quotidien et ses tentatives d{\textquoteright}{\'e}puisement}, year = {2016}, publisher = {Sens public}, address = {Montr{\'e}al}, url = {http://sens-public.org/articles/1204/}, author = {Gervais, Bertrand} } @article {336, title = {Archiver le pr{\'e}sent: le quotidien et ses tentatives d{\textquoteright}{\'e}puisement}, number = {14 mars 2017}, year = {2016}, publisher = {Sens Public}, url = {http://www.sens-public.org/article1204.html}, author = {Gervais, Bertrand} } @article {1740, title = {Archiver le pr{\'e}sent. Le quotidien et ses tentatives d{\textquoteright}{\'e}puisement}, year = {2016}, publisher = {Sens Public}, url = {http://www.sens-public.org/article1204.html}, author = {Gervais, Bertrand} } @article {2645, title = {After Faceb00k: {\`a} la douce m{\'e}moire <3}, year = {2015}, month = {09/2015}, type = {Photographie}, url = {http://moisdelaphoto.com/artistes/after-faceb00k/} } @article {454, title = {After the White Cube}, journal = {London Review of Books}, volume = {37}, year = {2015}, author = {Foster, Hal} } @article {2329, title = {Alphabets \& Irony}, volume = {2021}, year = {2015}, url = {https://libraryofbabel.info/theory3.html}, author = {Basile, J.} } @article {2186, title = {Andr{\'e} Gunthert : Embrayeur de conversation, le selfie doit {\^e}tre moche}, year = {2015}, publisher = {Liberation}, url = {https://www.liberation.fr/culture/2015/08/05/andre-gunthert-embrayeur-de-conversation-le-selfie-doit-etre-moche_1359212}, author = {Iribarnegaray, L{\'e}a} } @proceedings {1343, title = {Approche Musicale de la d{\'e}corr{\'e}lation microtemporelle dans la biblioth{\`e}que HOA}, journal = {Journ{\'e}es d{\textquoteright}Informatique Musicale}, year = {2015}, publisher = {En ligne}, address = {Universit{\'e} de Montr{\'e}al}, url = {http://jim2015.oicrm.org/$\#$actes}, author = {S{\`e}des, Anne} } @article {2582, title = {Arr{\^e}ts sur image: fragments d{\textquoteright}une identit{\'e}-flux. Dossier Litt{\'e}rature et r{\'e}sonances m{\'e}diatiques}, journal = {Revue @nalyses}, volume = {10}, year = {2015}, url = {https://uottawa.scholarsportal.info/ojs/index.php/revue-analyses/article/view/1412}, author = {Gervais, Bertrand} } @proceedings {1833, title = {Autour des Disintegration Loops de William Basinski: obsolescence technologique, ruines et les paradoxes de la comm{\'e}moration }, journal = {Para{\^\i}tre et dispara{\^\i}tre: l{\textquoteright}art et ses objets perdus}, year = {2015}, publisher = {Colloque arts et m{\'e}dias de l{\textquoteright}Universit{\'e} de Montr{\'e}al}, address = {Universit{\'e} de Montr{\'e}al}, author = {Habib, Andr{\'e}} } @article {2621, title = {Aesthetics of an Algorithm: I{\textquoteright}m Google}, year = {2013}, publisher = {KQED}, url = {https://www.kqed.org/arts/126442/aesthetics_of_an_algorithm_im_google}, author = {Eifler, Emily} } @article {2646, title = {Accident et incident}, year = {2012}, url = {http://chatonsky.net/accident-et-incidents/}, author = {Chatonsky, Gregory} } @article {1287, title = {Antidote 8}, year = {2012}, publisher = {Druide informatique inc.}, edition = {5.5} } @book {2280, title = {Aux Sources de l{\textquoteright}utopie num{\'e}rique : De la contre-culture {\`a} la cyberculture, Stewart Brand, un homme d{\textquoteright}influence}, year = {2012}, pages = {427}, publisher = {C\&F {\'E}ditions}, organization = {C\&F {\'E}ditions}, address = {Caen}, author = {Fred Turner} } @book {1184, title = {Agonie termin{\'e}e, agonie interminable}, year = {2011}, pages = {176}, publisher = {Galil{\'e}e}, organization = {Galil{\'e}e}, address = {Paris}, author = {Lacoue-Labarthe, Philippe} } @article {2531, title = {Anne Carson: Evoking the Starry Lad}, journal = {Irish Times}, number = {1 Apr. 2022}, year = {2011}, month = {03/2011}, type = {Interview}, url = {www.irishtimes.com/culture/books/evoking-the-starry-lad-her-brother-was-1.577255}, author = {Anne Carson}, editor = {Interview Parul Sehgal} } @book {756, title = {Apprendre l{\textquoteright}invention}, year = {2011}, publisher = {Publie.net}, organization = {Publie.net}, author = {Bon, Fran{\c c}ois} } @article {2499, title = {{\guillemotleft}Archiver {\textemdash} geste du temps, esprit d{\textquoteright}escalier et conversion num{\'e}rique{\guillemotright}}, journal = {Interm{\'e}dialit{\'e}s}, year = {2011}, author = {M{\'e}choulan, {\'E}ric} } @book {1237, title = {Atlas ou le gai savoir inquiet. L{\textquoteright}Oeil de l{\textquoteright}histoire, 3}, year = {2011}, publisher = {Minuit}, organization = {Minuit}, address = {Paris}, author = {Didi-Huberman, Georges} } @book {941, title = {Atlas des {\^\i}les abandonn{\'e}es}, year = {2010}, pages = {140}, publisher = {Arthaud}, organization = {Arthaud}, address = {Paris}, author = {Schalansky, Judith} } @book {767, title = {Au coeur de la raison, la ph{\'e}nom{\'e}nologie}, year = {2010}, pages = {1152}, publisher = {Gallimard}, organization = {Gallimard}, address = {Paris}, author = {Claude Romano} } @article {1272, title = {Archiver ce qui aurait pu avoir lieu}, journal = {Conserveries m{\'e}morielles}, year = {2009}, url = {http://cm.revues.org/381}, author = {Baumann, Stefanie} } @article {445, title = {Arts et litt{\'e}ratures hyperm{\'e}diatiques : {\'e}l{\'e}ments pour une valorisation de la culture de l{\textquoteright}{\'e}cran}, journal = {Digital Studies/Le Champ num{\'e}rique}, year = {2009}, url = {https://www.digitalstudies.org/ojs/index.php/digital_studies/article/view/171/221}, author = {Gervais, Bertrand} } @inbook {1278, title = {The Atlas Group Archive. Les imaginaires factuels d{\textquoteright}une guerre civile}, booktitle = {Photojournalisme et art contemporain: les derniers tableaux}, year = {2008}, pages = {73-86}, publisher = {{\'E}ditions des archives contemporaines}, organization = {{\'E}ditions des archives contemporaines}, address = {Paris}, author = {Lavoie, Vincent} } @article {2508, title = {The Archive of the Digital An-archive [The Digital Archive]}, journal = {The Digital Archive}, year = {2007}, publisher = {Image \& Narrative}, url = {http://www.imageandnarrative.be/inarchive/digital_archive/laermans_gielen.htm}, author = {Gieslen, Pascal and Laermans, Rudi} } @article {1731, title = {The Artist as Historian}, journal = {October}, volume = {120}, year = {2007}, pages = {pp 140-172}, author = {Godfrey, Mark} } @book {512, title = {{\`A} l{\textquoteright}{\'e}coute de la lecture}, year = {2006}, pages = {294}, publisher = {Bota Bene}, organization = {Bota Bene}, address = {Qu{\'e}bec}, author = {Gervais, Bertrand} } @book {330, title = {Abductions: treize essais sur des {\oe}uvres du temps pr{\'e}sent suivi de L{\textquoteright}{\OE}uvre et son interpr{\'e}tant}, year = {2006}, pages = {320}, publisher = {Mamco}, organization = {Mamco}, address = {Gen{\`e}ve}, author = {Besson, Christian} } @book {1172, title = {The Archive}, series = {Documents of Contemporary Art}, year = {2006}, pages = {208}, publisher = {MIT Press}, organization = {MIT Press}, issn = {9780262633383}, author = {Merewether, Charles} } @book {1708, title = {Arch{\'e}ologie du cin{\'e}ma sonore}, year = {2004}, publisher = {CNRS {\'E}ditions}, organization = {CNRS {\'E}ditions}, address = {Paris}, author = {Pisano, Giusy} } @article {1828, title = {An Archival Impulse}, journal = {October}, number = {110}, year = {2004}, pages = {3-22}, author = {Foster, Hal} } @mastersthesis {2310, title = {Adventures in Cyberformance : experiments at the interface of theater and the internet [m{\'e}moire de ma{\^\i}trise]}, volume = {ma{\^\i}trise}, year = {2003}, pages = {97}, school = {Universit{\'e} de technologie du Queensland}, url = {https://www.creative-catalyst.com/thesis.html}, author = {Helen Varley Jamieson} } @article {2309, title = {Avatar Body Collision: enactments in distributed performance practices}, journal = {Digital Creativity}, volume = {14}, year = {2003}, pages = {180-192}, doi = {DOI: 10.1076/digc.14.3.180.27873}, author = {Karla Ptacek} } @article {1171, title = {About Installation}, journal = {Art Journal}, volume = {58}, year = {1999}, pages = {62-73}, author = {Kabakov, Ilya and Tupitsyn, Margarita and Tupitsyn, Victor} } @inbook {2655, title = {{\`A} toutes fins utiles}, booktitle = {Entretiens sur la fin des temps}, year = {1998}, publisher = {Fayard}, organization = {Fayard}, address = {Paris}, author = {Eco, Umberto} } @article {694, title = {Automatiser pour mieux communiquer. La Lettre de l{\textquoteright}OCIM~57}, journal = {Mus{\'e}es}, volume = {20}, year = {1998}, author = {Lafaille, M. and Simard, F.} } @article {1350, title = {Articulating Microtime}, journal = {Computer Music Journal}, volume = {20}, year = {1996}, author = {Vaggione, Horacio} } @book {910, title = {Au Fond du Jardin}, year = {1996}, pages = {140}, publisher = {du Noro{\^\i}t}, organization = {du Noro{\^\i}t}, address = {Montr{\'e}al}, author = {Brault, Jacques} } @book {895, title = {Art Worlds}, year = {1982}, pages = {392}, publisher = {University of California Press}, organization = {University of California Press}, address = {Berkley, Los Angeles, London}, abstract = {

Works of art are produced by cooperation. The creating artist works with a network of suppliers of materials, distributors of art works, fellow{\textquoteright} artists, and with critics, theorists, and audiences. These contributing individuals and organiza- tions together constitute an art world. And the very existence of this art world gives artists the opportunity and means to make art. How is this cooperation possible? In what w{\textquoteright}ays do works of art show the effects of having been made collectively?

In this most unusual book, noted sociologist Howard Becker draws examples from music, drama, dance, literature, film, and the visual arts. Among his findings is that much work even- tually recognized as art has its beginnings apart from the cooperative nurturing of an art world. He cites such outsiders as composer Charles Ives, sculptor Simon Rodia, and quiltmakers as artists whose work did not receive recognition until a suitable art world existed to foster them.

Sociologists, critics and analysts of the several arts, and working artists will find herein a clari- fication of the role of well-know n observations about the cooperative character of art work. The analysis clarifies problems in aesthetics and crit-icism and provides a model for the analysis of other social worlds

}, author = {Becker, Howard S.} } @inbook {2455, title = {Autopoiesis. The Organization of the Living (1972)}, booktitle = {Autopoiesis and Cognition. The Realization of the Living}, year = {1980}, publisher = {Reidel}, organization = {Reidel}, address = {Dordrecht}, author = {Maturana, Humberto R. and Varela, Francisco J.} } @book {576, title = {Autrement Dit}, year = {1977}, pages = {221}, publisher = {{\'E}ditions Grasset}, organization = {{\'E}ditions Grasset}, address = {Paris}, author = {Cardinal, Marie} } @book {2427, title = {The Age of Discontinuity: Guidelines to Our Changing Society}, year = {1969}, publisher = {Harper \& Row Publishers}, organization = {Harper \& Row Publishers}, address = {New York}, author = {Drucker, Peter F.} } @book {1707, title = {Arch{\'e}ologie du savoir}, year = {1969}, publisher = {Gallimard}, organization = {Gallimard}, address = {Paris}, author = {Foucault, Michel} } @book {463, title = {Art and Culture}, year = {1961}, publisher = {Beacon Press}, organization = {Beacon Press}, address = {Boston}, author = {Greenberg, Clement} } @article {1026, title = {Arch{\'e}ologie des m{\'e}dias - PAMAL}, url = {http://pamal.org/wiki/Arch\%C3\%A9ologie_des_m\%C3\%A9dia}, author = {Guez, Emmanuel} } @article {664, title = {Ars Industrialis - D{\'e}finition du terme "Pharmakon"}, url = {http://arsindustrialis.org/pharmakon}, author = {Stiegler, Bernard} } @book {1161, title = {Art, action et participation. L{\textquoteright}artiste et la cr{\'e}ativit{\'e}}, publisher = {Klincksieck}, organization = {Klincksieck}, address = {Paris}, author = {Popper, Frank} }