Biblio

Loveless, Natalie. How To Make Art At The End Of The World : A Manifesto For Research-Creation. Durham & Londres: Duke University Pres, 2019. Print.

Agamben, Giorgio. Homo Sacer. L'intégral (1997-2015). Paris: Seuil, 2017. Print.

Plate, Liedeke. « How To Do Things With Literature In The Digital Age: Anne Carson’S Nox, Multimodality, And The Ethics Of Bookishness ». Contemporary Women’s Writing 9.1 (2015): pp. 93-111. Print. Contemporary Women’S Writing.

Sèdes, Anne, Pierre Guillot, et Elliot Paris. « The Hoa Library, Review And Prospect ». ICMC-SMC 2014. <http://hoalibrary.mshparisnord.fr/wp-content/uploads/2014/12/ICMC_SMC_2014_Proceedings-HOA.pdf>. Icmc-Smc.

Morton, Timothy. Hyperobjects, Philosophy And Ecology After The End Of The World. Minneapolis: Minnesota University Press, 2013. Print.

Delvaux, Martine. Histoires De Fantômes. Spectralité Et Témoignage Dans Les Récits De Femmes Contemporains. Montréal: Presses de l'Université de Montréal, 2005. Print.

Mattelart, Armand, et Michèle Mattelart. Histoire Des Théories De La Communication. Paris: La Découverte et Syros, 1995. Print.

Luhmann, Niklas. « How Can The Mind Participate In Communication ». Materialities Of Communication. Hans Ulrich Gumbrecht et Pfeiffer, Ludwig K. Standford: Standford University Press, 1994. Print. Materialities Of Communication.

McCarthy, Lauren Lee. « 'how Kind Of You, But I Think I Have Everything Under Control’: 24 Hour Host ». Adjacent. ITP and IMA, s. d. <https://itp.nyu.edu/adjacent/issue-3/how-kind-of-you-but-i-think-i-have-everything-under-control-24-hour-host-2/>. Adjacent.